
R. Keith Schoppa is the Edward and Catherine Doehler Chair in Asian History at Loyola University Maryland. Besides In a Sea of Bitterness, featured on Rorotoko, he is the author of Blood Road (California 1995, and winner of the 1997 Levenson Prize), Elites and Political Change (Harvard 1982), Xiang Lake—Nine Centuries of Chinese Life (Yale 1989), as well as four text- and reference-books and numerous articles. Keith Schoppa has received grants and awards from the John Simon Guggenheim Memorial Foundation, the National Endowment for the Humanities, the American Council of Learned Societies, the Carnegie Foundation for the Advancement of Teaching, and the Council for the Advancement and Support of Education.
If a browsing reader picked up a copy of the book, I would hope that the Introduction entitled “The Thousand-Person Pit” would hook him or her. An account of an atrocity at a small town near the provincial capital (Hangzhou), this short chapter in many ways previews some later chapters. We see Japanese terror and Chinese responses through the eyes of one Chinese family.If the browsing reader passed the Introduction, I would then hope that he or she would go to Chapter 3, “Veering into the Ravine.” This is a fascinatingly detailed memoir by Feng Zikai, a renowned graphic artist, cartoonist, and essayist who went on his refugee trek with thirteen of his family and friends. Feng’s account relates how refugees were treated (mostly mistreated and taken advantage of) by their fellow Chinese and how refugees became totally dependent for their decisions on rumors they heard as they trudged ahead—many of those rumors being false.If the browser brushed past Chapter 3, I would urge him or her to go to Chapter 5, “The Kidnapping of Chinese Civilians,” the account of forced labor conscription by the Japanese army. It details the experiences of two men (one really a high school student) whom the Japanese seized to do their bidding. The chapter shows how not all Japanese were, in the phrase the Chinese used at the time, “foreign devils.” The Japanese in this chapter cannot be stereotyped in such blanket fashion, even though the use of terror remained their constant weapon.But if the browser also did not stop at Chapter 5, I would push him or her up to Chapter 7, “Playing Hide-and-Seek with the Enemy.” This is basically the story of two county magistrates with their governments-in-exile situated in a third county—both of whom, in the process of becoming friends, had to dodge Japanese soldiers repeatedly. Their narratives are some of the most fascinating in the book; one ends tragically, killed by Japanese soldiers.There are two other chapters that I would like the browser to get to first, if he or she has passed all those I have mentioned.Chapter 10, “Scorched Earth,” tackles the insanity of a terrorized government moved to destroy its own infrastructure (most built in the decade preceding the war) far beyond what was necessary to stop the Japanese. And, in the end, it only slowed them down a bit—a tragedy of the first order.The last chapter, “Bubonic Bombs,” is the tragic story of how three counties were affected by the Japanese-dropped plague and, most importantly, how they reacted to the challenges of this war crime. Their reactions and the developing policies depended in large part on how “modernized” they had become.The foremost goal of the book is to give readers a profound understanding of the world of Chinese refugees at this time and place. Its focus on one province provides one solid context for the upsetting trauma of displacement, where everything seemed to be in flux in a world turned upside-down. How do the Chinese react when all ties to their key cultural and social foundations are severed or severely tested?Historians have spent considerable time discussing the emergence and role of nationalism in modern China. Certainly among certain groups—students, political and economic elites in certain sites, especially cities—nationalism was developing from the early twentieth century on. One analysis (now almost fifty years old) posited that nationalism was born among the north China peasantry during the war when Japan attacked and occupied China. My study, however, shows that there was precious little overt nationalism or patriotic fervor. Instead, as war came, individuals and families—whether they fled or not—desperately strove to spread a protective mantle over themselves, saving themselves, their families, and their native places. The local, not the national, became the focus.The war was a “localizing” phenomenon. Even refugee accounts (like that of intellectual Feng Zikai) are remarkable for their lack of nationalistic rhetoric. One diarist, as another example, did not say about the Japanese, “The devils brutally occupied China or my country”; instead he said repeatedly, “The devils brutally occupied my native place.”Most of the refugees seemed to think that the Chinese army was as much a threat to the Chinese people as the Japanese army, commandeering its own soldiers, taking advantage in many ways of the Chinese populace, setting up roadblocks to steal from refugees—even storming into people’s homes to make their own meals.This study suggests that among the masses, national feeling was incipient, at best. I suggest that for the masses, nationalism would not fully emerge until the 1980s and 1990s, when national pride could finally overcome the foreign and domestic humiliations that had been suffered for decades.I would hope the reader would see, as one scholar put it, “Displacement is not just about loss of place, but also about the struggle to make a place in the world, where meaningful actions and shared understanding is possible.”On the whole, the institutions that fled more successfully made new temporary places in the world (sometimes with immense difficulties) than did individual or family refugees. The foremost tragedy for many refugees as individuals or in families was, as in the case of Feng Zikai, that they returned to their native place only to find their homes completely destroyed by bombs or by another in Japan’s arsenal of war tactics, arson. Feng, experiencing the cultural bereavement that so many refugees had to deal with, noted on his return to his native town in 1946, “For the past decade my memories of my native place had sustained my wanderer’s dream, but the town I now encountered had nothing to do with the homeland I once held so dear. What I saw made me realize that it is far better to savor the dream of what once was.” The war brought to these people permanent displacement.

R. Keith Schoppa In a Sea of Bitterness: Refugees during the Sino-Japanese War Harvard University Press368 pages, 6 1/8 x 9 1/4 inches ISBN 978 0674059887
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