
Trysh Travis
My book is about that loosely defined cultural phenomenon known as “the recovery movement”—an agglomeration of self-help groups and practices that have grown out of Alcoholics Anonymous since its founding in 1935. Although most people know someone who is or has been “in recovery,” most people are also a little vague about what that means. That vagueness has allowed critics—both conservative and progressive—to caricature the recovery movement as narcissistic, banal, and apolitical. The Language of the Heart is intended to show that recovery is a diverse and evolving phenomenon whose complex history reflects the shifting ideas about gender and power that characterize contemporary America.
I’ve used recovery’s print culture to narrate the story of its evolution from AA—which began as an alcohol-focused, evangelical Christian, and resolutely masculine sub-culture—to Oprah Winfrey, a self-proclaimed “food addict” and survivor of childhood sexual abuse who espouses a healing metaphysical spirituality to millions of women around the globe. Most recovery publications come from the margins of polite print culture. Rather than the products of professionally credentialed authors writing in the pages of esteemed journals, many of recovery’s central ideas appeared first in obscure pamphlets, self-published tracts, and the textbooks of the addiction treatment industry. None of these are usually considered “serious” literature. But both the writing and the reading of such materials is an extremely serious matter for many recovering people.
Editor: Erind Pajo

Trysh Travis The Language of the Heart: A Cultural History of the Recovery Movement from Alcoholics Anonymous to Oprah Winfrey University of North Carolina Press 376 pages, 9 x 6 inches ISBN 978 0807833193
Available here →January 27, 2010
20100127-travis-trysh-language-heart-cultural-history-recovery-movement-1
In a nutshell

Joshua Lukman
Trysh Travis is an assistant professor in the Center for Women’s Studies and Gender Research at the University of Florida, where she teaches contemporary American literary and cultural history. Her writing has appeared in scholarly venues like American Quarterly and Men and Masculinities as well as in publications like The Chronicle of Higher Education and Bitch: Feminist Responses to Popular Culture.
AA's most radical feature is its demand that men give up the habits of domination and dependence.
Most threads on Rorotoko begin with our invitation. Any thread can begin with a proposal: you write it with the same prompts every thread answers, and we review it.
Propose a thread →