People Don’t Want to Argue with AI, and That Makes Them More Persuaded by It

When people believe they are talking to an AI rather than a person, they push back less and change their minds more. The persuasive edge comes from the listener, not the machine.

From People to Prompts

In disability fiction, distance lends us not only drama, but intimacy.

Today's screens are full of minds that think and perceive differently, which makes this the right moment to look back at how twentieth-century American writers drew readers toward cognitive disability. Their tools were narration, vision and time, and a kind of intimacy that does not depend on getting inside a character's head. One of the most-read novellas in American schools shows how repetition itself becomes the foundation of the story.

Engaging Minds: Cognitive Disability and American Storytelling, 1899–1953

A very powerful woman's story

Filming a year aboard a Doctors Without Borders ship, an anthropologist witnessed a militia seize women and children at sea. The film follows one family through what came next, and traces the European money behind the kidnapping.

Rescue

In a flash, one of them climbs onto the bike and rides off.

The war's aftermath has become a subject in its own right — a foundational moment of collapsed empires, new binaries and a world turned upside down. A 1948 film belongs squarely to that turn, and part of its strangeness is how deliberately it leaves the war out. Why is our hero unemployed? Why is there a gap of eight years between his two children? The film declines to answer, and the silence is the argument.

Bicycle Thieves

Even at 1.5 °C, Antarctica loses ice this century. How much is our choice.

One chart of projections that could not agree on whether Antarctica would raise or lower the seas set this work in motion. A chain of models, each adding blur, explains the disagreement. A fast emulator checked against two decades of gravity measurements from space cuts through it.

Committed Antarctic Ice Sheet mass loss by the end of the twenty-first century

I didn’t write this about the world, I wrote it about myself.

A folk opera imagines a kitchen table where neighboring is a verb, empathy is not a bad word, and money does not decide who gets care. Everyone gets a seat.

Rooming House

Hip-hop’s familiarity and appeal is cross-generational.

Hearing "Rapper's Delight" on the radio in 1979 outside New York and filing it as a novelty; hearing "The Message" three years later and realizing it wasn't. Then the mid-eighties reggae clubs where rap kept slipping into the breaks, and the late-eighties realization that the artists were his own age. Nobody building this in 1979 expected to be tagged a pioneer for life.

Old in the Game: Aging in and with Hip-Hop

The phenomenon of people dressing up as Frida, the lookalikes, is absolutely extraordinary.

A documentary that leaves out every painting and looks instead at the fascination itself: the merchandise, the lawsuits, the lookalikes. Who gets to own an icon, and what happens to an artist once she becomes a brand?

Frida: The Girl Just Doesn't Go Away