In a nutshell

February 13, 2026

One Public

One Public explores the contemporary story of one of the most influential theatres in America.  While the study covers the colorful history of The Public from its founding by Joseph Papp, the focus of the manuscript is the trajectory of a theatrical impulse, and how the Public nurtures plays from the workshop phase to the main stage, and often on to Broadway. One Public provides a unique and intimate account of the process of play development since it is a case study driven and guided by interviews with some of the greatest theatre makers in the country.  For several years, I was embedded at the company as a resident scholar and interviewed scores of artists, scholars, and luminaries, including Lin-Manuel Miranda, Kevin Kline, Samantha Power, Kwame Kwei-Armah, Chelsea Clinton and over one hundred others.

The core of the study is the most recent artistic director, Oskar Eustis, and his determined effort to advance the progressive and even socialist ethos of Joe Papp.

The book’s title reflects the impossible goal of creating an institution that is built to serve all people—true to the founding ethic of the nation—while battling increasingly hostile national politics.  The first edition ended with the covid pandemic, and this second edition has allowed me to include updates about the fallout from that crisis, and an extensive afterword that addresses how the rise of hyper-conservative politics has affected the company and American theatre writ large.

Curator: Bora Pajo

One Public

One Public

Landis, Kevin. One Public: New York’s Public Theater in the Era of Oskar Eustis. 2nd ed., Methuen Drama, 336 pp. ISBN 978-1350283459

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The rest of this thread

1

In a nutshell

February 12, 2026

2

The wide angle

February 12, 2026

3

A close-up

February 24, 2026

Kevin Landis

Kevin Landis

Kevin Landis is a professor of theatre in the Department of Visual and Performing Arts at the University of Colorado, Colorado Springs. His research interests range from contemporary avant-garde performance to Eastern European actor training, to performance analysis of evangelical church services to the theatrical intersections of food preparation. He co-authored Cultural Performance: New Perspectives on Performance Studies and is the author of One Public: New York’s Public Theater in the Era of Oskar Eustis.

Music & Performance, Cities & Urban Life
United States
Since 1989
Place & city, Lives & biography

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